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New York Times Best Books of the 21st Century

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Recently, the New York Times released their list of the best books of the 21st century. The list was voted on by 503 novelists., nonfiction writers, poets, critics, and other book lovers (with a little help from the staff of The New York Times Book Review). Some of the authors that took part included Stephen King, Bonnie Garmus, James Patterson, Elin Hilderbrand, Marlon James, Min Jin Lee, and Sarah Jessica Parker.

Quite a few have been printed on our presses since January 1, 2000, and Friesens is proud to be part of their success stories:

#76

Tomorrow, and Tomorrow, and Tomorrow – Gabrielle Zevin

The title is Shakespeare; the terrain, more or less, is video games. Neither of those bare facts telegraphs the emotional and narrative breadth of Zevin’s breakout novel, her fifth for adults. As the childhood friendship between two future game-makers blooms into a rich creative collaboration and, later, alienation, the book becomes a dazzling disquisition on art, ambition and the endurance of platonic love. – NYT Staff

#53

Runaway – Alice Munro

On one level, the title of Munro’s 11th short-story collection refers to a pet goat that goes missing from its owners’ property; but — this being Munro — the deeper reference is to an unhappy wife in the same story, who dreams of leaving her husband someday. Munro’s stories are like that, with shadow meanings and resonant echoes, as if she has struck a chime and set the reverberations down in writing. – NYT Staff

#51

Life After Life – Kate Atkinson

Can we get life “right”? Are there choices that would lead, finally, to justice or happiness or save us from pain? Atkinson wrestles with these questions in her brilliant “Life After Life” — a historical novel, a speculative novel, a tale of time travel, a moving portrait of life before, during and in the aftermath of war. It gobbles up genres and blends them together until they become a single, seamless work of art. I love this book. — Victor LaValle, author of “Lone Women”

#43

Postwar – Tony Judt

By the time this book was published in 2005, there had already been innumerable volumes covering Europe’s history since the end of World War II. Yet none of them were quite like Judt’s: commanding and capacious, yet also attentive to those stubborn details that are so resistant to abstract theories and seductive myths. The writing, like the thinking, is clear, direct and vivid. And even as Judt was ruthless when reflecting on Europe’s past, he maintained a sense of contingency throughout, never succumbing to the comfortable certainty of despair. — Jennifer Szalai

#40

H Is for Hawk – Helen Macdonald

I read “H Is for Hawk” when I was writing my own memoir, and it awakened me to the power of the genre. It is a book supposedly about training a hawk named Mabel but really about wonder and loss, discovery and death. We discover a thing, then we lose it. The discovering and the losing are two halves of the same whole. Macdonald knows this and she shows us, weaving the loss of her father through the partial taming (and taming is always partial) of this hawk. — Tara Westover, author of “Educated”

#36

Between The World and Me – Ta-Nehisi Coates

Framed, like James Baldwin’s “The Fire Next Time,” as both instruction and warning to a young relative on “how one should live within a Black body,” Coates’s book-length letter to his 15-year-old son lands like forked lightning. In pages suffused with both fury and tenderness, his memoir-manifesto delineates a world in which the political remains mortally, maddeningly inseparable from the personal. – NYT Staff

#26

Atonement – Ian McEwan

Each of us is more than the worst thing we’ve ever done, or so the saying goes. But what a naïve, peevish 13-year-old named Briony Tallis sets in motion when she sees her older sister flirting with the son of a servant in hopelessly stratified pre-war England surpasses disastrous; it’s catastrophic. It’s also a testament to the piercing elegance of McEwan’s prose that “Atonement” makes us care so much. – NYT Staff

#24

The Overstory – Richard Powers

We may never see a poem as lovely as a tree, but a novel about trees — they are both the stealth protagonists and the beating, fine-grained heart of this strange, marvelous book — becomes its own kind of poetry, biology lesson and impassioned environmental polemic in Powers’s hands. To know that our botanical friends are capable of communication and sacrifice, sex and memory, is mind-altering. It is also, you might say, credit overdue: Without wood pulp, after all, what would the books we love be made of? – NYT Staff

#23

Hateship, Friendship, Courtship, Loveship, Marriage – Alice Munro

Munro’s stories apply pointillistic detail and scrupulous psychological insight to render their characters’ lives in full, at lengths that test the boundaries of the term “short fiction.” (Only one story in this book is below 30 pages, and the longest is over 50.) The collection touches on many of Munro’s lifelong themes — family secrets, sudden reversals of fortune, sexual tensions and the unreliability of memory — culminating in a standout story about a man confronting his senile wife’s attachment to a fellow resident at her nursing home. – NYT Staff

#9

Never Let Me Go – Kazuo Ishiguro

Kathy, Ruth and Tommy are boarders at an elite English school called Hailsham. Supervised by a group of “guardians,” the friends share music and rumors while navigating the shifting loyalties and heartbreaks of growing up. It’s all achingly familiar — at times, even funny. But things begin to feel first off, then sinister and, ultimately, tragic. As in so much of the best dystopian fiction, the power of “Never Let Me Go” to move and disturb arises from the persistence of human warmth in a chilly universe — and in its ability to make us see ourselves through its uncanny mirror. Is Ishiguro commenting on biotechnology, reproductive science, the cognitive dissonance necessary for life under late-stage capitalism? He’d never be so didactic as to tell you. What lies at the heart of this beautiful book is not social satire, but deep compassion. – NYT Staff

Read the full list of The New York Times 100 Best Books of the 21st Century

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